The life and times of louis armstrong

He speaks in long, discursive paragraphs, his diction precise, his tone a bit arch and bearing no hint of Missouri, where he grew up in a small town. He also began singing on these recordings, popularizing wordless "scat singing" with his hugely popular vocal on 's "Heebie Jeebies. One of the greatest cornet players in town, Joe "King" Oliver, began acting as a mentor to the young Armstrong, showing him pointers on the horn and occasionally using him as a sub.

pops a life of louis armstrong

By the mid-'40s, the Swing Era was winding down and the era of big bands was almost over. She encouraged him to play classical music in church concerts to broaden his skills. Duke Ellington's orchestra went to Roseland to catch Armstrong's performances.

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They saw Armstrong's stage persona and music as old-fashioned and criticized him in the press. However, a growing generation gap became apparent between him and the young jazz musicians who emerged in the postwar era such as Charlie ParkerMiles Davisand Sonny Rollins.

The life and times of louis armstrong

He hired Joe Glaser as his new manager, a tough mob-connected wheeler-dealer, who began to straighten out his legal mess, his mob troubles, and his debts. He also got into trouble. Though his popularity was hitting new highs in the s, and despite breaking down so many barriers for his race and being a hero to the African-American community for so many years, Armstrong began losing his standing with two segments of his audience: Modern jazz fans and young African Americans. When the mob insisted that he get out of town, [51] Armstrong visited New Orleans, had a hero's welcome, and saw old friends. Meals were often little more than bread and molasses. The Armstrongs moved into the home, where they would live for the rest of their lives, in However, controversy regarding Armstrong's fatherhood struck in , when a girlfriend that the musician had dated on the side, Lucille "Sweets" Preston, claimed she was pregnant with his child. In , the home released him, and he immediately began dreaming of a life making music. It was on the riverboat that Armstrong honed his music reading skills and eventually had his first encounters with other jazz legends, including Bix Beiderbecke and Jack Teagarden. During the next 30 years, Armstrong played more than performances a year. Guys who invent terms like that are walking the streets with their instruments under their arms. He switched to the trumpet to blend in better with the other musicians in his section. He also became second trumpet for the Tuxedo Brass Band. He was then sent to the Colored Waif's Home for Boys. Cornetist Bunk Johnson said he taught the eleven-year-old to play by ear at Dago Tony's honky tonk.

Armstrong could blow two hundred high Cs in a row. Related Profiles.

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In the early days, he bounced back and forth between Chicago and New York, endured Jim Crow humiliations during tours of the South and struggled to pursue music without getting overwhelmed by the details of running a jazz orchestra. In December of that year, he was called into the studio to record the title number for a Broadway show that hadn't opened yet: Hello, Dolly! He made his first recordings with Oliver on April 5, ; that day, he earned his first recorded solo on "Chimes Blues. Although race relations were poor, Chicago was booming. He switched to the trumpet to blend in better with the other musicians in his section. Together, Armstrong and Hines formed a potent team and made some of the greatest recordings in jazz history in , including their virtuoso duet, "Weather Bird," and "West End Blues. Preston gave birth to a daughter, Sharon Preston, in

He was then sent to the Colored Waif's Home for Boys. In the process, he dislodged the Beatles from the No.

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As a black man living and working in a segregated society, he symbolized the civil rights struggle that was part of the changing America in which he lived. Armstrong's famous interpretation of Carmichael's " Stardust " became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his innovative approach to singing songs that had already become standards. He was also a frequent presence on radio, and often broke box-office records at the height of what is now known as the "Swing Era. Cyr banjo , Lil Armstrong on piano, and usually no drummer. Cyr noted, "One felt so relaxed working with him, and he was very broad-minded Her influence eventually undermined Armstrong's relationship with his mentor, especially concerning his salary and additional money that Oliver held back from Armstrong and other band members. He said about his youth, "Every time I close my eyes blowing that trumpet of mine—I look right in the heart of good old New Orleans That started in , when Armstrong abandoned small ensembles and took a big band on the road and, though he returned to more intimate groups — for many years after World War II, Armstrong had his All Stars — the attacks continued. The musician didn't let the incident stop him, however, and after taking a few weeks off to recover, he was back on the road, performing nights a year into the s. The admiration he had for Armstrong and acknowledging him as one of the most recognized musicians during the era. The Armstrongs moved into the home, where they would live for the rest of their lives, in He did return to New Orleans periodically. Preston gave birth to a daughter, Sharon Preston, in While he was beloved by musicians, he was too wild for most critics, who gave him some of the most racist and harsh reviews of his career. His stop-time solos on numbers like "Cornet Chop Suey" and "Potato Head Blues" changed jazz history, featuring daring rhythmic choices, swinging phrasing and incredible high notes.
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Louis Armstrong